Parkour
Parkour is much more than just an acrobatic discipline; it’s an art of moving through one’s environment in a fluid and efficient manner. This practice develops essential motor skills such as coordination, balance, and strength. By learning to navigate urban obstacles—walls, barriers, and various elements of the landscape—practitioners cultivate an agile and responsive body.
However, parkour is not without its risks. Safety is paramount, and it’s crucial to approach each jump and movement with caution. Practitioners must develop critical thinking skills, assessing the challenges they face while considering their own skill level. This involves self-evaluation and making informed decisions to minimize injuries.
Moreover, parkour fosters a deep connection with the environment. Traceurs (parkour practitioners) learn to observe and interact with their surroundings creatively. This awareness enhances not only their safety but also allows them to discover new ways to express themselves and move. By cultivating an awakened mindset, they become more attuned to the possibilities around them, transforming ordinary places into adventure grounds.
In summary, parkour is a practice that combines physical development, safety, critical reflection, and a connection to the environment, offering a holistic approach to urban exploration.
Tommy Charest
The Coach
Tommy started practicing Parkour in 2010 during a lunchtime activity. Passionate about it, he trained independently from 2010 to 2015. That same year, he decided to move from Rivière-du-Loup to Montreal to fully dedicate himself to his practice, with the goal of becoming a professional athlete.
In 2018, he signed his biggest contract as a professional athlete, performing in around 60 shows in Toronto.
In 2019, he joined Studio Trybe as head coach and manager, a role he held until the studio closed in 2021-2022.
For the past two years, he has also been teaching Parkour at various institutions, including Gymnitours, sharing his passion and expertise with new practitioners.
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